![]() ![]() In 1914, Gill met the typographer Stanley Morison, and began working for the Monotype Corporation - an independent English company based in Surrey. After a short stint as an apprentice to an architect, Gill attended the Central School of Arts and Crafts in London, where he studied lettering under calligrapher Edward Johnston. Gill Sans was created in 1928 by the English sculptor, sign painter, type designer and wannabe social reformer Eric Gill. Letters are things, not pictures of things.The history of Gill Sans Inspiration from underground ![]() ![]() No one can say that the O's roundness appeals to us only because it is like that of an apple or of a girl'sīreast or of the full moon. "The shapes of letters do not derive their beauty from any sensual or sentimental reminiscences. Gill described himself on his gravestone as a stone carver. Of all the 11 typefaces that he designed, Gill Sans is his most famous it is a clear modern type and became the letter of the railways - appearing on their signs, engine plates, and timetables. He designed his first typeface, Perpetua, for Stanley Morison who had badgered him for years on this matter. ![]() He converted to Catholicism in 1913 and this influenced his sculpture and writings. He also wrote constantly and prodigiously on his favourite topics: social reform the integration of the body and spirit the evils of industrialisation and the importance of the working man. He was profoundly influenced by Johnston's dedicated approach to work and decided to join the world of the Arts and Crafts.ĭuring his lifetime he set up three self-sufficient religious communities where, surrounded by his retinue, he worked as sculptor, wood-engraver, and type designer. While apprenticed to an architect in London, he became smitten with the world of calligraphy, which he entered by attending classes given by Edward Johnston. Gill was born in Brighton, the son of non-conformist minister. ![]()
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